Projects
These works trace a clear path through the artist’s evolving practice: from community-led storytelling and participatory installations to sculptural forms grounded in rural material culture. At their heart, each project responds to place - not as backdrop, but as presence.
Drawing from archival material, oral histories, puppetry and performance, the artist’s focus has gradually turned toward sculpture - quiet objects that hold memory, ritual, and the textures of ordinary life.
The Dufton Hoarde marks a significant turning point: a self-initiated museum work that brings together fieldwork, contemporary object-making, and fictional ethnography. It signals a move into gallery and museum contexts and a deepening commitment to sculpture as a form of rural storytelling.
Beneath the Beacon
(2016 -2019)
A large scale market town engagement project, animating an alphabet of 26 hidden stories through sculpture, performance and archive. 14 venues across Penrith were activated by fictionalised portraits of townspeople beneath the red Beacon hill.
Story Giants of Eden
(2011 -2012)
A giant storytelling project across 19 schools in Eden, co-created with children and communities. I built the figures, shaped the story, and led a team of artists across the district.
Calthwaite Monopoly
(2007–09)
A place-based installation exploring village life through invented play, archive research and live art. Co-designed with children and elders in Calthwaite.
Archive Engagement
Cumbria Archive Service, (2012–15)
Animating the archive through sculpture, story, automata and puppetry. These quiet works seeded my practice now - finding the emotional thread in record and trace.